PATHOS Frontiers Prime
Floorstanding loudspeakers
To sum it up, the Pathos Frontiers Prime features 6 transducers radiating in 3 non-parallel planes, which is a sort of a unique solution. Pathos calls it SST, which stands for Sound Set Technology, with the simple goal: to eliminate the walls of a room, to free a room from its borders.
Function and form
The Frontiers Prime are bipolar speakers. Let me spend few words on it as people often mistaken bipoles with dipoles. Both concepts do have transducers firing both to the front (towards a listener) and to the rear (towards a wall). Both concepts share the same idea – in real conditions music instruments are not directional in how they radiate a sound. Pianos, violins, guitars, saxophones or drums have omni or semi directional characteristics and the resulting harmonies of their sound are quite complex structures of both the direct and reflected sounds. The reflections are not harmful, rather complementar to the final experience. Unlike this, the home audio is based on directivity with focus on damping any but the direct sound. That is also why our HiFi can never compete with a live performance: reverbs are not only the part of the interaction of a speaker and a room but they double with (usually different) reverbs that are already encoded on a recording. Idea of suppressing anything apart from the direct sound is therefore basically right because we already have the ambience recorded on the media. It is not that simple, though. The human ear likes deception so through the concepts of multidirectional radiation, if done cleverly, we can significantly enhance our listening enjoyment.
Typical dipole speakers (often planar speakers) does have front and back radiation out of phase, meaning that when the front radiators move forward, the back radiators move backward. The parallel movements yield a significant issue – generated sound waves are of an inverted amplitude and are cancelling at the sides of a speaker resulting in a drop of efficiency especially at low frequencies. The bipolar speaker´s cones are moving out on both sides of the speakers so there is no cancellation. The Pathos Frontiers go a bit further with few interesting tweaks that I will be discussing in a minute.
The Pathos Frontiers Prime´s are big enough to be respected and elegant enough to be livable with. The baffle is 137cm tall and the base measures 33x68cm. Into the spiked base there are three (!) sets of speaker terminals integrated to wire all the three modules separately.
The Frontiers Prime are an assembly of 3 dedicated modules. The bass compartment hosts two 210mm woofers with in-house developed cones plus doubled front-firing reflex port. The mid-woofer and tweeter compartment takes from the bass at 200Hz (4000Hz respectively) with 165mm mid-woofer and neodymium tweeter) and radiates into the back of the speaker, on top of that not horizontally but in an upward firing angled plane. The same set (mid-woofer plus tweeter) is used for front radiation and is housed in a module that can be rotated horizontally. By toeing in and out the module a listener can adjust upper frequencies to his or her taste or to number of listeners.
The front baffle of the speaker is matt black, the rest of the Frontiers Prime cabinet is either white gloss or rosewood or cherry. On paper the Pathos speakers are specified as 8-ohm speakers with 92dB sensitivity, covering 27Hz to 30.000Hz. I see no reason why they should not be partnered with any stable amplifier, valve triodes inclusive.
Bass management
With increasing volume levels the Frontiers feel no strain and are as extended as at normal levels. Take a double bass and you would hear round and full sound with incisive attack and the weight that would put some subwoofers to shame. This is also to say that there will be no need to employ a subwoofer with the Frontiers Prime. The bass of the Pathos is seamlessly blended into mids and is heard only when called to action, like in Saint-Saens’ Danse Macabre (Charles Dutoit, Philharmonia Orchestra, Decca). Actually, I did not realize there is something like a real deep bass until 1´20 mark that unleashed the orchestra at its full force and I was (literally) moved with my chair by the acoustic pressure. The speakers could handle enormous dynamic contrasts and moved from pianissimos to fortissimos with the power of thunder and the speed of light. Really deep synthetic lows shaken the room in Sade’s songs and I started wondering whether it is true that tube amp designs (like the Adrenalin) could not play deep and articulate – the bass I heard was as if coming from a superb solid state amplifier.
Clarity & delicacy
The midrange is the most important all ranges – have it wrong and everything is wrong. That is why I got excited about the Pathos Frontiers Prime that have it right. They were on the neutral side of neutral rather than honey flavored or analytically overlit. They provided plenty of detail, a high level of plasticity and a perfect sense for colors with the very balanced ratio between gold and silver (read color and detail). Very often I just sat back and listen without making notes, like with All Saints Night (Loreena McKennit, The Visit). The fragile vocal hovered over multilayered textures and everything remained perfectly resolved in both quiet parts and climaxes. Initially I suspected the Frontiers from the tendency to slight brightness. However, when I played a bit with how far I was seated in front of the speakers. There was less brightness from 3 meters distance and none at 4 meters, yet the natural balance of the rest was kept. Only then the brightness was transformed into the spark that set any piece of music on fire and let it bloom in its ambience like in Bonny Portmore where you needed to hear deep into the music to fully appreciate the richness of its orchestration. Similarly I liked one of the simplest yet quite difficult a cappella traditional Gloucesterhire Wassail (A Midwinter´s Night Dream) - the Pathos speakers excellently delineated all the voices yet let them communicate between themselves and throw a very breathing scene with nice depth and lateral plus vertical resolution.
Tonal accuracy
There is a lovely banjo heard in Freedom Now (Tracy Chapman, Crossroads) that was perfectly delineated in space and time within a breathing soundstage. It may be due to the bipolar design of Frontiers Prime that I was receiving more ambient clues that I was used to with other speakers. That way I could sense the instrument in space including its ´longitude and latitude´, as well as I almost felt the hand that plucked the banjo´s strings. The Frontiers Prime did not exhibit pinpoint imaging like other superb dynamic speakers neither they threw enormous soundstage. Quite opposite, the naturalness of the soundstaging and imaging was so remarkable and perfectly integrated in the whole sonic picture that it was almost left unnoticed. Some speakers try to portrait a studio like it was hundred meters deep – it is very easy to get seduced by such a spatiality, however, it is not realistic. Therefore I appreciated the Frontiers Prime´s honesty of not placing a three-man jazz combo in a barn but portraying the realistic picture of a jazz club venue instead. What’s more, the way the Frontiers Prime use a sonic paintbrush is of a ´robust´type, similarly to what we experienced with the Logos amplifier. It leads me to the speculation that this feature may be rather inherit from the Adrenalin monos than the speaker´s feature. The sounds are very lifelike through the speakers so soft drumming in Be Careful of My Heart shines with the palpability of tightly stretched animal skins on drums that you cannot mistaken for anything synthetic.
Spatial resolution
Should you want to taste the Pathos energy it is not necessary to listen to pummeling heavy metal numbers (but those would sweep you off your chair instantly) – rather fragile Tracy Chapman is a sonic delight through the Frontiers Prime. The music like Freedom Now speaks to you from as if from a higher dimension through the Pathos. Within minutes it got clear that the encounter with the Prime speakers would be a lifetime experience.
Recommended resellers
High-End Audio Studio, Belgická 4, Praha, tel. +420 224 256 844
Manufacturer's website: http://www.pathosacoustics.com
Associated components
- Sources: Pathos Endorphin
- Amplifiers: Pathos Adrenalin power amplifiers, Synapse preamplifier, Pathos Logos integrated amplifiers
- Interconnects and speaker cables: Kubala-Sosna Elation, Faber Cable
- Power cables: standard
- Power conditioning: IsoTek Aquarius, no filtration on power amplifiers
ACOUSTIQUE QUALITY AQ Passion
Acoustique Quality has been around since early 90’s. The company’s loudspeakers were always close to what can be characterized a good value for money, with a bit of pre-2000 vibe. Speaker by speaker the guys in Acoustique Quality ...
Recommended resellers
AQ s.r.o., Červenka, tel. +420 585 342 232
ANTE Supersonic One
The Supersonics were visually inspired by Lamborghini Countach racer. The functional elegance of the Lamborghini does not come at budget costs and neither the Ante does. The price tag of €160,000 keeps the Supersonics in the company ...
Recommended resellers
Media Control, Bratislava, SK, +421 905 613 928
AQ Canto 5
An experience that moves your soul. This is how Czech loudspeaker manufacturer presents the brand-new Canto range. For the company, the Canto is a milestone, so important that they decided to dedicate a special website to it. The ...
Recommended resellers
AQ s.r.o., Červenka, tel. +420 585 342 232
AUDIO PHYSIC Avantera
The Audio Physic’s HHCM midrange drivers are fantastic. The realism of both male and female vocals through the Avanteras is nothing short of magic. The Avanteras skillfully blend a cocktail full of colors, sonority, textures, ...
Recommended resellers
CZ: High-End Audio Studio, Praha, tel. +420 224 256 844
SK: Platan Audio, Hlohovec / Bratislava, tel. +421 905 409 802
AUDIO PHYSIC Cardeas Plus+
Audio Physic's original Cardeas was like an album of a respected band that was recorded just because it had to be recorded due to a contract. Not like the album that was recorded because the band wanted to. I sighed with relief that ...
Recommended resellers
CZ: High-End Audio Studio, Praha, tel. +420 224 256 844
SK: Platan Audio, Hlohovec / Bratislava, tel. +421 905 409 802
AURUM CANTUS V6F
The Aurum Cantus V6Fs have the ability to dissapear from your ear-view - they move an orchestra to your living room instead and let you bathe in an expanding and transparent soundstage. After listening to the V6Fs you'll find ...
Recommended resellers
Hifi studio MeLissa, Brno, tel. +420 777 04 1313
AVANTGARDE ACOUSTIC Uno Fino
Should your priority is to blend the speakers with your interior and make them visually disappear, the Avantgarde Acoustic Uno Fino is not for you. I am not in favor of color lacquers on speakers and prefer natural veneers where ...
Recommended resellers
HI-FI studio TYKON, Ostrava, tel. +420 723 449 894